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THE FINAL PAINTING
This approach approaches the
image
from blurry to sharp. It is the traditional impressionistic approach
per Group of Seven, Robert Bateman, etc. (The other approach to
realism paints the image
sharply from the start, working from one corner outward following
pencil outline, The latter approach cannot accomodate emotion in the
technique and looks flat up close like photo grain.)
A photo of the location. Note below
how the painting organizes everything for an aesthetic look.
Purples and reds are put into the
background because shadows tend to be purplish
greens are added on top to come
forward
At this stage the scene is roughly
organized and balanced
Above done on day one. About the same
time it takes to make a small landscape.
Above done on day two.
Most of the time will be spent
painting details and making the blurry
scene become sharp. The
purpose now is to keep developing detail in order to show the viewer
more and more when viewed up close. Lighter colours come forward
painting the detail takes several
days.Then80% of
the time will be taken up in detailed work to remove the rough initial
treatment and look interesting up close
continued painting details for
several days. It is like painting about six small 8x10 paintings at the
same time
finally everything is touched up to
look neat and finished and interesting up close. The viewer
should enjoy the painting even when at arm's length away from it.
Comment: This blurry-to-sharp
approach
looks the same from a distance as the more mechanical approach,
but looks more alive up close because the brush
strokes vary with the artists emotion towards what he/she is
painting